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Description : This book is made for students who would like to learn the basics of the three primary Adobe design applications. PDF file.

Size : 1. Adobe Illustrator CS5 Essentials. Size : Adobe Captivate 8. Adobe Spark Getting Started. Facial Recognition technology is now employed to help organize and access your photos of people quickly, and overall updates to the performance of the program accelerate processing and enhancement speeds.

Rounding out the post-production workflow, this edition of Lightroom also allows you to create advanced video slideshows of your imagery and produce HTML5-compatible web galleries for sharing your work in more dynamic ways.

The range of features unique to Lightroom 6 serve to complement the already impressive set of tools found in previous iterations of Lightroom, including Smart Previews for working with your photos while offline from your library, rich metadata editing capabilities, Develop presets for applying one-click effects to imagery, an Advanced Healing Brush for intelligently retouching photos, and a wide assortment of sharing and exporting options.

Lightroom 6 is compatible with both Mac and Windows operating systems. After purchasing this download version, an email will be sent to you containing a unique serial code for retrieving, activating, and validating your software. If you own a Adobe photo software and have a user manual in electronic form, you can upload it to this website using the link on the right side of the screen.

This guide works for Lightroom 4, 5, 6 and Lightroom Classic. The video will get you up and running in Lightroom in 15 minutes. Here is a quick guide to get you started really fast and easy, it will only take a couple of minutes to read this information.

This is a no BS Lightroom turbo start! Lightroom is broken up into Modules. There are currently 7 Modules in Lightroom, here is a secret, you only have to know 2 of them! This is exactly what it sounds like. This is where all your photos live. This is where you import the photos and do all the boring stuff like keywords and collections etc.

You can sleep at night knowing that all your photos are safely tucked away and labeled so you can find them in a rabbits blink. The develop module is where you take those dull images and turn them into works of art. This is your digital darkroom Lightroom where you can be creative. A lot of this can also be automated if you are in a rush. But you may want to hang out here for a while, because this is fun! Ok, here we go. In as few words as possible, here is how to work in Lightroom.

The importer will open. Click the Arrow in the lower left corner to expand it. This is what the expanded Importer window looks like. Look on the top and you will see 3 options for the import workflow. Grab Photos From 2. What to do with them 3. Copy photos To somewhere. Under Source, you will see all your drives. In the middle top, choose an option from importing. Copy and Copy as DNG are the only options from a camera or card.

To keep it simple, we are going to use Copy. Next, locate the folder that you want to put your photos. What we are doing right now, is creating a folder structure on your disk drive. I normally create a top level folder called photos. If you do change folder names or image locations, do it through Lightroom or you will break the file association. Usually you will go with the default, which is all the photos on the card.

Your photos will now be copied into Lightroom and you will return to the Library module where you can watch your photos getting sucked into Lightroom.

Under that is the Catalog. Or you can choose All Photographs, to show every photo currently in Lightroom. If photos seem to be missing, click All Photographs. The next block down shows the Folders View. You will see a list of drives that have photos in them that Lightroom is managing in the Library.

Currently attached drives are lit up. The Folder structure is the same as on your computer, because this is what you are actually browsing right now.

We want to make our own folder structure just for Lightroom, this will make things easier to use for us. For this, we use Collections. Trust me, multiple copies of the same photo is a bad thing and can get very confusing as well as quickly filling up you drive with duplicate photos. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated.

Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law.

The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample files are for demonstration purposes only and are not intended to refer to any actual organization. Adobe product screenshots reprinted with permission from Adobe Systems Incorporated.

Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the U. All other trademarks are the property of their respective owners.

Government End Users. Consistent with 48 C. Government end users a only as Commercial Items and b with only those rights as are granted to all other end users pursu- ant to the terms and conditions herein.

Unpublished-rights reserved under the copyright laws of the United States. For U. Government End Users, Adobe agrees to comply with all applicable equal opportunity laws including, if appropriate, the provisions of Executive Order , as amended, Section of the Vietnam Era Veterans Readjustment Assistance Act of 38 USC , and Section of the Rehabilitation Act of , as amended, and the regulations at 41 CFR Parts through , , and The affirmative action clause and regulations contained in the preceding sentence shall be incorporated by reference.

For the latest on Adobe Press books, go to www. To report errors, please send a note to errata peachpit. For information on getting permission for reprints and excerpts, contact permissions peachpit. Click the lesson file links to download them to your computer. Mac OS instructions. This is great news in some respects, but confusing in others. Your biggest challenge now is to figure out which program to use when.

Happily, you hold the answer in your hands in the form of this book. The only way to achieve photographic workflow mastery is to understand exactly how Lightroom and Photoshop work, as well as what sort of real-world tasks each program excels at. So grab your favorite beverage and buckle in! The lessons are designed to let you learn at your own pace. Each lesson concludes with review questions highlighting important concepts from that lesson.

Windows vs. Minor differences exist between the two versions, mostly due to platform- specific issues out of the control of the programs. Most of these are simply dif- ferences in keyboard shortcuts, how dialogs are displayed, and how buttons are named.

In most cases, screen shots were made in the Mac OS version of Lightroom and Photoshop and may appear differently from your own screen. Where specific commands differ, they are noted within the text. Prerequisites Before jumping into the lessons in this book, make sure you have a working knowl- edge of your computer and its operating system.

For system requirements and support, visit helpx. Click Launch to access the Web Edition. If you purchased a print copy: 1 Go to www. Lesson Files To work through the exercises in this book, you will first need to download the lesson files from peachpit.

You can download the files for individual lessons or download them all in a single file. Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the links to download to your computer either the entire Lessons folder or the work folders for individual lessons. The downloadable sample images are practice files, provided for your personal use in these lessons. You can buy them together through the Adobe Creative Cloud Photography plan or with a Creative Cloud complete membership, which also includes InDesign and more.

Why use both Lightroom and Photoshop The list of reasons for using both Lightroom CC and Photoshop CC in your workflow is lengthy, though most of it boils down to saving time in the manage- ment, editing, and preparation of your images for specific uses.

Using the pro- grams together means you can easily include your Photoshop masterpieces into Lightroom book, slideshow, print, and web projects. However, a closer look reveals that Lightroom and Photoshop differ in two As a result, Lightroom important ways: what they do and how they do it. Plus, Adobe broader and Photoshop is deeper. Photoshop, on the other hand, was designed for a single task: editing.

The term you captured in-camera. Although there are ways to edit a photo without harming is short for picture element. If you zoom it say, by using layers , Photoshop is a destructive editor—you can undo a cer- far enough in to an tain number of sequential edits while the document is open, but when you close image in Lightroom or the document, that ability vanishes. You can think of layers as the ingredients on this pizza really! Although the pizza is made up of many layers the different toppings, sauces, and dough , you see a single image.

The Layers panel, on the right, shows you an exploded view. The contacts program is a database that points to a file containing an individual entry for each person you tell it about. Each record includes a Rolodex database and all the little cards a smorgasbord of image or video information, including where the file lives on records it contains.

This essentially gives you unlimited sequential undos forever. The database editing previews of the images referenced aspect lets you work on multiple images at a time, too, as well as copy-specific by the Lightroom or all edits from one photo to many. You can also use Lightroom to create print catalog on your desktop templates, photo books, slideshows, and web galleries, and you can include your computer. Photoshop documents in those projects. As you can see in this illustration, your Lightroom experience comprises many pieces and parts: your images wherever they live , the Lightroom application, the catalog, and a folder of presets.

Lightroom automatically maintains the wonderfully large range of colors called color space and high bit depth that a raw file includes.

P Note: Color space refers to the range of colors available to work with. Bit depth refers to how many colors the image itself can contain.

For example, JPEGs are 8-bit images that can contain different colors and tones in each of the three color channels: red, green, and blue. Raw images, on the other hand, can be , , or bit, and the latter would contain a whopping 65, different colors and tones in each channel.

Most of the controls are slider-based, highly discoverable, and logically arranged. Another reason is that raw files contain a wider range of colors and tones than JPEGs tones refers to luminosity information that you can think of as brightness values. For the mathematically curi- ous, 4 trillion colors and tones can theoretically be saved into a bit-per-channel raw file, whereas a maximum of 16 million colors can be saved into a standard 8-bit-per-channel JPEG.

Raw files can be , , or bit, depending on the camera. So using raw data in applications that can interpret it—say, Camera Raw, Photoshop, Lightroom, and so on—gives you far more editing flexibility because you have more data to work with and you can process that data however you want.

Raw files also let you change the color of light, called white balance, captured in the scene. That said, you can access the same sliders and local adjustment tools in Camera Raw or the Camera Raw filter, though that often requires an extra step.

These local tools make it easy to fix overexposed skies, add digital makeup, smooth skin, lighten teeth and wrinkles, enhance eyes, darken shiny areas, add extra sharpening to specific areas, and more. You can even add negative sharpening to a certain area to blur it! You even get opacity control so that you can dial back the strength of the change. You can do all of that in Photoshop, but it can take longer because of the addi- tional steps required to do it nondestructively. You can also add sophisticated color tinting to the whole photo, or you can hand-paint certain areas with whatever color you want.

Once the images are combined or stitched, you can adjust tone and color using the global or local adjustment tools described earlier. You can also save a preset for almost anything you do in Lightroom, which can dramatically speed up your workflow. Presets can be applied during the import process, manually whenever you want, or when you export images. Preset opportunities include, but are not limited to, adding copyright information; file-naming schemes; any settings in the Develop module; settings for all the local adjustment tools; template customizations for books, slideshows, print, and web projects; identity plates the branding that appears at the top left of the interface ; watermarks; exporting at certain sizes and in a specific file format; and uploading online.

Processing multiple photographs in Photoshop requires scripts, complex actions, or the use of Adobe Bridge. Further, Photoshop presets are mostly limited to tool setup. Now, is Lightroom better at everything than Photoshop? Where Photoshop excels Photoshop is unmatched when it comes to creative editing and precise corrections.

Same goes for swapping heads and eyes—say, to create a group photo where everyone is smiling or to fix eyeglass glare. And if you want to manually merge images into an HDR, which can often greatly improve results, there are a couple of ways to do that in Photoshop. In Photoshop, this is called creating a selection, and the program includes several advanced methods for selecting an object in your photo, including tough stuff such as hair and fur.

When you use these technologically advanced tools, Photoshop intelligently analyzes surrounding pixels, or another area that you designate, in order to make the removal or repositioning as realis- tic as possible. Most of these incredible tools are also covered in Lesson 7. However, both of these fixes can result in empty corners due to the rotation, which may cause you to crop the image more aggressively than you want to.

Photoshop also includes sev- eral tools for creating custom illustrations, 3D text, and objects, and it sports a fairly impressive arsenal of video-editing tools. So if you want to incorporate one or more award-winning photos into a busi- ness card, postcard, or social media cover image that includes text, you need to send that imagery over to Photoshop.

For example, you can map one photo to the contours and curves of another lizard skin, anyone? Some of these tricks are covered in Lesson 8. The next few sections explain how to access the exercise files included with this book, as well as how to create a Lightroom catalog.

Some photographers use a single catalog for all their Lightroom photo- graphs, and some use several. It walks you through the process of importing files from a hard drive into Lightroom, using the Lesson 1 files as an example.

However, The complete user documentation for Adobe Lightroom and Adobe Photoshop is with an active Internet available from the Help menu in each program. This content will display in your connection you can default web browser. This documentation provides quick access to summarized access the most up-to- date information. You can dismiss the tips if you wish by clicking the Close button x in the upper-right corner of the floating tips window.

Select the Turn Off Tips checkbox at the lower left to disable the tips for all of the Lightroom modules. In the Lightroom Help menu you can also access a list of keyboard shortcuts applicable to the current module. Help on the web You can also access the most comprehensive and up-to-date documentation on Lightroom and Photoshop via your default web browser.

Point your browser to helpx. Additional resources Adobe Lightroom CC and Photoshop CC for Photographers Classroom in a Book is not meant to replace the documentation that comes with either program or to be a comprehensive reference for every feature.

Only the commands and options used in the lessons are explained in this book. Adobe Forums: forums. Adobe Creative Cloud Learn: helpx. Adobe TV: tv. Resources for educators: www. Find solutions for education at all levels, including free curricula that use an inte- grated approach to teaching Adobe software and that can be used to prepare for the Adobe Certified Associate exams. A directory of AATCs is available at partners. If the Lesson 1 files are not already on your computer, download the Lesson 1 folder from your Account page at www.

This is a great way different parts. To create a complete Lightroom to accommodate an expanding photo collection. And because your programs need some free internal hard the Lightroom Presets drive space to function—Photoshop, especially—filling your hard drive with photos folder. Although a single Lightroom catalog can access more than one hard drive, the simplest approach is to keep all your photos on one big, dedicated external drive tucked inside a meaningful folder structure.

In that scenario, you could create a top-level folder on that drive, give it a name such as Photos, and then create subfolders inside of it that have a date or topic naming scheme. This approach has great benefits. For example, when you run out of space on that drive and you will , you can transfer your entire photo collection to a newer, bigger drive by moving only the top-level folder.

Although you can perform rudimentary video edits in Lightroom, you can do far more to video in Photoshop. Once you use the import process to tell Lightroom about your photos, you can see your folder structure in the Folders panel in the Library mod- ule.

However, once you tell Lightroom about your folder structure, leave it alone. If you already have an effective folder structure for your photos, you can continue to use it. If not, take the time to build one now. This is far simpler than doing it in Lightroom using the Folders panel, especially if it involves moving thousands of files. In other words, your system needs to be scalable.

Within the year-based folders, you can create subfolders for each shoot, named for the subject matter or the date the photos were taken or both. Importing photos into a Lightroom catalog P Note: Some Light- Before you can work with photos in Lightroom, you have to tell Lightroom they room users prefer to exist; you do this through the import process.

If you peek at the terminology used at the top of images. Your choices are jockey, that may work well for you. This option tells Lightroom to add a record and a preview for each image to the catalog while leaving the photos wherever they currently exist on your hard drive.

Similar to Add, this option prompts Lightroom to add a record and pre- view of the image to the catalog; however, it also moves photos from one place on your drive to another. That way, you know exactly where your photos live. For this reason, the insert the memory card next section focuses on adding photos to your Lightroom catalog, in lieu of copying. Since this catalog is empty, it automatically opens the Library module in Grid view wherein Lightroom displays your images as a grid of thumbnails.

Click the name of any folder to expand it so you can see its contents. Thumbnail previews of the photos in the Lesson 1 folder appear in the middle of the Import window. As you learned in the previous section, this tells Lightroom to add information about these photos to the catalog, but to leave the photos in the folders and on the drives where they currently reside. Samsung uses it as the factory setting for its cameras too.

Another benefit of DNG is that Lightroom uses it for Smart Previews, which let you sync your desktop catalog onto your mobile device for editing in Lightroom Mobile. For the purposes of this lesson, leave photos, it may be all the checkboxes turned on so that Lightroom adds all the files. If the File Handling panel is collapsed, click its header to all and then assess and expand it.

These relatively small previews are used to quickly display initial thumbnails in the Library module. The Minimal option uses the small, non-color-managed JPEG preview embedded in a file by your camera during capture. It builds standard-sized previews during import that are useful for viewing photos in Loupe view in the Library module. There you can choose a size up to pixels on the long edge. Ideally, choose a stan- dard preview size that is equal to or slightly larger than the screen resolution of your monitor.

However, previews take the longest time to import and are the largest in file size in the Previews. Lightroom will rebuild the previews when you ask for them by zooming in. Smart Previews are also used to sync photos onto your mobile device for use in Lightroom Mobile. You can add keywords and apply Develop module presets that are spe- cific to individual photos later in the Library module.

In the New Preset dialog that appears, give the preset sure to include copy- right information, as a name, and then click Create. Lightroom adds the photos to your catalog with the settings you specified and closes the Import window.

Once finished, Lightroom activates the Preview Import collection in the Catalog panel at the upper left, and you see image previews in the middle of the work- space, as well as in the Filmstrip panel at the bottom. The next time you import your own photos, choose New from the Metadata menu in the Import window.

In the Copyright Status menu, choose Copyrighted. Scroll to the IPTC Creator section, enter any identifying information you wish to include, and then click Create to save it as a preset. To apply this copyright preset to photos as you import them, simply choose it from the Metadata menu. From the resulting ment workflow: The big menu, choose Synchronize Folder. Click Synchronize, and Lightroom adds them.

Its various panels and tools help you make short work of managing, assessing, and organizing your photos. In lapse or expand any panel by clicking its the Library module, you get source panels on the left and information panels name. To expand or on the right. Source panels Preview area Info panels By default, the Library module opens in Grid view, which is indicated by the icon circled in the toolbar below the preview area.

This panel lets you control zoom level and which area of the photo is displayed in the preview area. With the levels and lets you cycle Navigator set to Fit, you see a white border around the image in the Naviga- between them using tor panel. Once you zoom in say, using Fill or , the rectangle reduces in the Spacebar on your keyboard. To see another area of the photo, click within the rectangle your cur- between Fit and , sor turns into a crosshair , and then drag it to another.

Now tap the Spacebar to switch between those two choices. This panel gives you quick access to certain images in your catalog. This panel displays your hard drive s and folder system. The Folders panel creating collections. If you do, Lightroom will report the photos as Folders panel because missing. If you need to rename, change your folder structure, or move pictures the changes you make around, use this panel to do it.

That way, Lightroom can update the catalog to physically affect the reflect your changes. Rename from the menu that appears. In the resulting dialog, enter a new name, and click Save.

As mentioned earlier, think of Lightroom collections as albums. You can use it to export collections albums to photos to a hard drive or to upload them online to sites such as Facebook, organize them instead. Flickr, and so on. A histogram is a collection of bar graphs representing the dark and been separated into same-color stacks. The light tones contained in each color channel of each pixel in your photo. Dark taller the stack, the values are shown on the left side of the histogram, and bright tones are shown more tiles you have of on the right side.

The width of the histogram represents the full tonal range of that particular color. The taller the bar graph, the more pixels you have at that particular brightness level in that color channel. The shorter the graph, the fewer pixels you have at that particular brightness level in that color channel.

This is a quick alternative to rent exposure value of that photo. This means each photo could end up with a going into the Develop different exposure value. These two panels are related to keywords, which are descriptive tags you can apply to images in order to find them easier later on. Click the triangle again to reveal the panels. Once you click to hide a column of panels, they reopen whenever you move your cursor near them, and then they close when you mouse away from them.

That way, the panels stay closed until you click within the outside border again. To reveal them, press Tab again. Press L a second time and everything in your previews turns black, as shown here.

Press L again to return to normal view. To exit it, press F again. This is the most often used keyboard shortcut in all of Lightroom! In this mode, only one panel is expanded at a time; the rest of them remain collapsed. When you click another panel, the one that was open collapses and the new one expands. This keeps you from having to scroll through a slew of open panels to find the one you want to use.

Once you activate Solo mode, the solid gray panel triangles are filled with dots, as shown here on the right. E Tip: To change the You can customize how your image previews are displayed too. Straight from size of the thumbnail the factory, the Library module uses Grid view, wherein resizable thumbnails are previews, use the displayed in a grid.

If you peek at the Library module toolbar beneath the preview Thumbnail slider beneath the previews. This option enlarges the selected thumbnail so that it fits within the keyboard to decrease preview area, however large the preview area currently is. For a side-by-side comparison of one image with another— say, to determine which one is the most sharp—use this option.

Press the Spacebar to enter Loupe mode, click within the image on the left called the select photo , and then drag to pan around and examine details your cursor turns into a hand.

As you reposition one photo, the other one the candidate matches its position. To exit Compare candidate to select by view, click its icon again or press G to return to Grid view. The candidate is marked by a black diamond. Lightroom grabs the next image in the Filmstrip panel and displays it on the right as the candidate so that you can repeat the process. This is a great way to find the best photo of a bunch, especially if you shoot in burst mode. This option lets you compare multiple images side by side.

To use it, select three or more thumbnails, and then either click the Survey icon it has three tiny rectangles inside it with three dots or press N on your keyboard. You can also drag to rearrange photos in the preview area while sur- veying them. When you find the photo you like the best, point your cursor at it, and mark it as a pick by clicking the tiny flag icon that appears at its lower left.

To exit Survey view, click its icon again or press G to return to Grid view. The next section teaches you a simple strategy for assessing and culling photos.

In the resulting dialog, pick a naming scheme; Custom Name — Sequence is a good one because it gives you the opportunity to enter something descriptive into the Custom Text field say, Smith wedding In this case, enter Maui trip The only way to under- stand this admittedly confusing concept is to try it yourself using these steps: 1 In Grid view of the Library module, click anywhere on the first thumbnail preview to select it.

Alter- natively, you can Shift-click the third thumbnail to also select the one in between. In this case, clicking directly atop the image in the second preview switched the most selected status from the first to the second thumbnail shown here in the middle. The result is different than it was in step 2. Clicking the frame, rather than the image, in the second preview left only the second preview selected and deselected the other two previews shown here in the bottom strip.

The takeaway here is that routinely clicking the frame rather than the image in a thumbnail will allow you to avoid being surprised by the less common behavior you saw in step 2. At the bottom of the dialog, Lightroom shows you what your naming scheme looks like.

If you peek at the top left of the interface, you see a status bar. The next section teaches you about another great habit to create after importing images: assessing and culling them. Organizing your photos Lightroom gives you many ways to mark your photos, which makes them easier to organize.

For example, you can rate them with one to five stars, give them color labels, or give them two kinds of flags Pick and Reject. Lightroom also lets you filter your photos for each marker or a combination of them , making certain photos easy to round up. Applying markers You can apply markers in several ways. To apply the marker, click a thumbnail. Press P to flag an image as a pick one that you want to keep , press X to flag it as a reject, and press U to unflag an image.

Press 1—5 on your keyboard to rate an image as 1—5 stars. Press 0 to remove the star rating. Press 6—9 on your keyboard to label an image as red, yellow, green, or blue respectively. You then likely left the mediocre ones in the envelope you got from the photo lab, and you probably forgot about them. Only the best shots made their way out of the envelope and into a physical album. The 1 In the Catalog panel at the upper left, make sure Previous Import is selected. Double-click the first image to enter Loupe view, and then click Fit in the Navigator panel.

Use the Right Arrow key on your key- board to go forward through your images the Left Arrow key goes backward. When you get to the last sunset photo the one with the blurry palm mistake while flagging photos, press U on your trees , press X on your keyboard to mark it as a reject.

Press your Right Arrow key, and mark the next yellow flower shot as a pick. Keep going through the exercise files, marking your favor- ites as picks and any that you think are bad as rejects mark only three to five of the exercise files as rejects.

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